Esi Edugyan (Chair) is the internationally bestselling author of Washington Black, which was shortlisted for the 2018 Booker Prize, the Los Angeles Times Book Prize, and the Carnegie Medal for Literary Excellence, among others – and won the Scotiabank Giller Prize. It was chosen by both the New York Times and Barack Obama as one of the best books of 2018. The epic Hulu/Disney TV series of Washington Black, starring Sterling K Brown and co-produced by Edugyan, is slated for release in Spring 2023.

Edugyan’s other novels include The Second Life of Samuel Tyne and Half-Blood Blues, shortlisted for the Booker Prize in 2011, as well as for the Women’s Prize for Fiction and the Governor General’s Literary Award. Half-Blood Blues won the Scotiabank Giller Prize and the Anisfield-Wolf Book Award.

Edugyan is also the author of Dreaming of Elsewhere: Observations on Home and more recently Out of the Sun: Essays at the Crossroads of Race, delivered in Canada as the Massey Lectures. Her first children’s book, Garden of Lost Socks, will be published next year by HarperCollins Canada.

Born and raised in Calgary, Alberta, Edygyan is a graduate of Johns Hopkins University and the University of Victoria, where she now lives. She has held fellowships in the US, Scotland, Iceland, Germany, Hungary, Finland, Spain, and Belgium, and judged prizes including the Giller Prize with Margaret Atwood and Jonathan Lethem.

Adjoa Andoh is one of Britain’s leading actors, who won global acclaim as Lady Danbury in the hit Netflix series Bridgerton - a role that saw her nominated for Outstanding Supporting Actress at the 2021 NAACP Image Awards. Elsewhere on the small screen in 2020 she played Dr Isaacs in the psychological thriller Fractured, as well as DI Nina Rosen in BBC1’s Silent Witness. In 2021 she starred as Nenneke in the Netflix blockbuster fantasy drama, The Witcher. Her many other television appearances include regulars in Dr Who, Casualty and Law & Order UK.

A renowned stage actor, Andoh has been celebrated for lead roles at the National Theatre - including Condoleezza Rice in Stuff Happens and Serafina Pekkala in His Dark Materials - and the Royal Shakespeare Company, where she played Portia in Julius Caesar, Ulysses in Troilus & Cressida and Helen of Troy in The Odyssey. In 2019 she conceived, co-directed, and played Richard II at Shakespeare’s Globe Theatre, in the UK’s first all women-of-colour production.

She made her Hollywood debut in 2009, starring alongside Morgan Freeman and Matt Damon in Clint Eastwood’s biographical sports film Invictus. Other film appearances include Adulthood, Brotherhood, and I Is A Long Memoried Woman.

She has been a BBC radio actor for over 30 years and is an award-winning narrator of over 150 audiobooks, including Americanah by Chimamanda Ngozi Adichie, Naomi Alderman’s The Power and all of the No. 1 Ladies Detectives Agency series by Alexander McCall Smith. She judged the AKO Caine Prize for African Writing in 2016 and was elected an Honorary Fellow of the Royal Society of Literature earlier this year.

Andoh is an Associate Artist at the Royal Shakespeare Company and Senior Associate Artist at The Bush Theatre. She was recently appointed as the Cameron Mackintosh Visiting Professor of Contemporary Theatre at the University of Oxford, joining a distinguished list of past professors that includes Stephen Sondheim, Arthur Miller and Sir Ian McKellen. In 2023 she will direct and star in a production of Richard III at the Liverpool Playhouse and Rose Theatre Kingston.

Mary Jean Chan is one of British poetry’s fastest rising stars. Flèche, a debut collection ingeniously organised around the sport of fencing, was published by Faber & Faber in 2019 and Faber USA in 2020. It won the Costa Book Award for Poetry and was shortlisted for numerous awards, including the International Dylan Thomas Prize, the John Pollard Foundation International Poetry Prize, the Jhalak Prize, the Seamus Heaney Centre First Collection Poetry Prize and a Lambda Literary Award. In 2018, Chan’s title poem from Flèche won the Geoffrey Dearmer Prize, awarded annually by the Poetry Society. Chan has twice been shortlisted for the Forward Prize for Best Single Poem and received a Society of Authors Eric Gregory Award for a collection by a poet under the age of 30 in 2019. That year, Chan was chosen by Jackie Kay as one of Kay’s ten best BAME writers in Britain.

In 2022, Chan co-edited with Andrew McMillan the landmark Vintage anthology 100 Queer Poems, which was recently selected as a Guardian Best Poetry Book of the Year and shortlisted for the Books Are My Bag Readers Awards. Chan’s poetry, essays and reviews have been featured in or are forthcoming from the New Republic, the New Statesman, the London Review of Books, Granta, the Poetry Review and the White Review, with their reviews appearing regularly in the Guardian. As an early career academic, Chan has written for the Review of English Studies, the Journal of American Studies and the Journal of British and Irish Innovative Poetry.

Born and raised in Hong Kong, Chan currently lives in Oxford and is Senior Lecturer in Creative Writing (Poetry) at Oxford Brookes University while also serving as a supervisor on the MSt in Creative Writing at the University of Oxford. In 2022, Chan was a Visiting Writer at the NTU Asia Creative Writing Programme in Singapore. Chan is a Rathbones Folio Prize Academy member, having judged the 2019 and 2020 Stephen Spender Prize for Poetry in Translation, the 2022 Jhalak Prize and the 2022 Queen Mary Wasafiri New Writing Prize. Chan’s second book, Bright Fear, is forthcoming from Faber in August 2023.

James Shapiro is Professor of English at Columbia University, where he has taught since 1985. Among his books are: 1599: A Year in the Life of William Shakespeare (2005), which was awarded the Samuel Johnson Prize; 1606: The Year of Lear (2015), awarded the James Tait Black Prize for Biography; and most recently Shakespeare in a Divided America (2020), selected as one of the ten best books of the year by the New York Times. He is currently at work on two books: Playbook: Politics, Theatre, and the Origins of America’s Culture Wars and Othello: An American Life.

His writing has appeared in the London Review of Books, the Guardian, the Telegraph, the New Statesman, the Financial Times, the Times Literary Supplement, the New York Times, the New Yorker, the New York Review of Books, the Los Angeles Times, the Wall Street Journal and the Atlantic. He has also co-written and presented a pair of BBC documentaries: The King and the Playwright: A Jacobean History (2012) and The Mysterious Mr. Webster (2014).

He has been awarded fellowships from the Guggenheim Foundation, the Cullman Center of the New York Public Library, the National Endowment for the Humanities, and the Bogliasco Foundation, and in 2011 was inducted into the American Academy of Arts and Sciences. He has served on the Board of Directors of the Royal Shakespeare Company, the Folger Shakespeare Library, and the Authors Guild. He works with several theatre companies and is currently Shakespeare Scholar in Residence at New York’s Public Theater.

Robert Webb was born in Lincolnshire in 1972 and attended Queen Elizabeth’s Grammar School in Horncastle. He studied English at Cambridge, where he joined Footlights and met David Mitchell, forming the comedy partnership Mitchell and Webb. They went on to make five series of their Sony Award-winning BBC Radio 4 sketch show, That Mitchell and Webb Sound, and for television, four series of the Bafta-winning That Mitchell and Webb Look for BBC2.

As an actor, Webb is best known for playing Jeremy Usborne in Peep Show, which ran for nine series, making it Channel 4’s longest-running sitcom. The programme won another two Baftas, two British Comedy awards and in 2004 was awarded the prestigious Rose D’Or for Best Comedy. In the theatre, Webb has played numerous roles in London’s West End, most notably in the Olivier Award-winning Jeeves and Wooster: Perfect Nonsense, in which he gave a performance described by the critic Frank Cottrell-Boyce as ‘the definitive Bertie Wooster of his generation’.

In 2009 he won the BBC1 charity dance competition, Let’s Dance for Comic Relief, giving a memorable interpretation of the audition scene from the movie Flashdance. In 2021 he competed for three weeks in BBC1’s Strictly Come Dancing before having to withdraw due to health issues (from which he has now fully recovered).

Webb’s documentary My Life In Verse focussed on the work of T S Eliot and featured Andrew Motion and Clive James among others. His 2017 memoir How Not To Be a Boy entered The Sunday Times non-fiction chart at number one, was serialised in the Guardian and was abridged for Radio 4’s Book of the Week. The audiobook, narrated by Webb himself, was Audible’s bestselling memoir of 2017. His debut novel Come Again was published in 2020, with the audiobook read by Olivia Colman.

He has written a weekly column for The Daily Telegraph, been an occasional contributor to The New Statesman and judged the BBC Young Writers’ Award. He holds an honorary doctorate from the University of Lincoln.

Study for Obedience by Sarah Bernstein  

What the author said: ‘I was trying to think through what it might look like if certain (usually feminised) characteristics associated with passivity could take on a kind of power, especially over the people reinforcing those sorts of gendered norms. That idea comes from the painter Paula Rego – that obedience can, in a sense, also be murderous – it can be harmful to the person demanding obedience. I was also interested in the question of innocence and the really bizarre expectation that, in order for someone’s suffering to be recognised as legitimate, that person needs also to be innocent – whatever that means.’  

What the judges said: ‘A stirring meditation on survival and a pointed critique of the demonisation of the outsider.’  

If I Survive You by Jonathan Escoffery  

What the author said: ‘I’m interested in what models we have for being good men, and in what potentially damaging messages we send men about how to be in the world, and in how those messages get passed from one generation to the next. I also wanted to explore the question of whether fraught relationships between fathers and sons can ever be repaired, and the associated costs of attempting to repair them.’   

What the judges said: ‘All of life is here in unflinching detail: the fragility of existence, the American dream and the road not taken.’   

This Other Eden by Paul Harding   

What the author said: ‘The line I tried as best I could to draw between fact and fiction was the maybe couple of dozen factual details that most struck me in the limited reading I did about Malaga Island and what they subsequently led to when I imagined my way beyond them. From the moment the historical events began to suggest connections with stories like Noah’s Ark, the Garden of Eden, The Tempest, Sarah Orne Jewett’s Country of the Pointed Firs, Moby Dick, Harriet Jacob’s memoir, and so forth, I moved toward the purely fictional because I wanted a kind of poetic licence to intermingle the material with those influences.’

What the judges said: ‘It’s rare to encounter a work of historical fiction that is at once so lyrical and so empathetic.’

Prophet Song by Paul Lynch   

What the author said: ‘I was aware while writing this book that I was addressing, in part, a modern problem: why are we in the West so short on empathy for the refugees flooding towards our borders? Prophet Song is partly an attempt at radical empathy. To understand better, we must first experience the problem for ourselves. And so I sought to deepen the dystopian by bringing to it a high degree of realism. I wanted to deepen the reader’s immersion to such a degree that by the end of the book, they would not just know, but feel this problem for themselves.’

What the judges said: ‘Propulsive, unsparing and terribly moving, the book warns of the precarity of democratic ideals’.  

Western Lane by Chetna Maroo  

What the author said: ‘It’s fair to call it a sports novel. It’s also been called a coming-of-age novel, a domestic novel, a novel about grief, a novel about the immigrant experience. Recently a friend asked me if the book has something of the detective story about it, with Gopi trying to find her way, piecing together the clues of small gestures, actions and fragments of overheard conversations; she has little to go on and since she’s dealing with the mysteries of loss, there are no answers for her.’ 

What the judges said: ‘A mesmerising novel about how silence can reverberate within a family in the aftermath of grief’.  

The Bee Sting by Paul Murray  

What the author said: ‘More than anything, I wanted to write about climate change. That sense of impending doom is something that feels different to the nuclear threat and gives a tone to the present that is new. Climate change relates to the past, obviously, but dwelling on its origins aren’t going to help us. We really need to find a new way of being to get through it and we haven’t found a way yet of doing that. In short, what I’m interested is in not so much the past coming back, but the ways it obscures the present and stops us from embracing the future.’ 

What the judges said: ‘Funny, sad and truthful. The characters, with their myriad flaws and problems, are unforgettable’.